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These artists challenge preconceptions of what Chinese contemporary art is understood to be, and will continue to do so for years to come,” says Bridget Bray, the organization’s Nancy C. We Chat is a mobile messaging app, developed in China, with more than 600 million users worldwide.
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Also, these young people are products of the opening up of China and its rapidly expanding economy over the past three decades, which has allowed them more access to information about international art movements and expanded career advantages than their teachers and mentors had.
The exhibition investigates the sharp departure the artworks of this new generation make from those of the earlier generation that came to international attention in the 1990s.
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However, rather than underscoring the western influence on their work, they resorted to appropriation of Chinese history to insert a local culture into the global art dialogue.
In contrast, in the exhibition younger artists by and large eschew a Chinese aesthetic and reject the notion that local culture continues to frame Chinese contemporary art.
All of these artists were born after 1976, a watershed year that marks both Mao Zedong's death and the end of the Cultural Revolution.